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Bark

Stories

Audiobook
1 of 1 copy available
1 of 1 copy available

"Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore" (Harper's).

A literary event—a new collection of stories by one of America's most beloved and admired short story writers, her first collection in fifteen years.

In these eight masterful stories, Lorrie Moore, in a perfect blend of craft and bewitched spirit, explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.

In "Debarking," a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible hilarity and darkness—the perils of divorce and what can follow in its wake. In "Foes," a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest at a fund-raising dinner in Georgetown. In "The Juniper Tree," a teacher, visited by the ghost of her recently deceased friend, is forced to sing "The Star-Spangled Banner" in a kind of nightmare reunion. And in "Wings," we watch the unraveling of two once-hopeful musicians who neither held fast to their dreams nor struck out along other paths as Moore deftly depicts the intricacies of dead ends and the workings of regret.

Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of Lorrie Moore–land.

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    • AudioFile Magazine
      Lorrie Moore's stellar collection of short stories, her first in 16 years, is not a sunny book, and her deeply ironic delivery, almost deadpan at times, announces that from the get-go. This self-read audiobook is the perfect vehicle for her mordant wit, which might be described to newcomers as David Letterman squared. But Moore's dark, divorce-filled world, populated by "graying human flotsam with scorched internal landscapes mimicking the young," will wow her devotees but will not appeal to all listeners. Her intended audience is the world-weary: "'Marriage is one long conversation' wrote Robert Louis Stevenson. Of course, he died when he was 44, so he had no idea how long the conversation could really get to be." A.B.S. © AudioFile 2014, Portland, Maine
    • Publisher's Weekly

      Starred review from December 16, 2013
      There are eight stories in Moore’s latest collection, and, like her previous work (Birds of America), these stories are laugh-out-loud funny, as well as full of pithy commentary on contemporary life and politics. In much of Moore’s earlier fiction, the protagonists are young girls or mothers of small children. Here, they are divorcées. They have teenagers. They’ve variously tried and failed at dating, holding down jobs, being kind, or being sane. Perhaps that accounts for the ever-present sting of sadness in the book: relationships don’t fare well (with one slightly desperate exception), and the sly wisdom of Moore’s meditations on time will get under your skin like a splinter. “Referential,” a wry updating of Nabokov’s “Signs and Symbols,” is a fascinating look at what happens when the mind of one writer collides with the mind of another. In the final story, “Thank You For Having Me,” the narrator stops her teenager daughter’s onslaught of scorn by undressing, mortifying her into silence. Moore’s final note is one of hope and even love—not the romantic kind, but the kind that sees the whole world, flaws and all, and embraces it anyway.

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  • English

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